Native American & Turquoise Bracelets | Silver Cactus

At a Glance

Native American cuff bracelet consistent with Navajo work
Late Harvey Era (not a Fred Harvey tourist piece)
High-luster turquoise trio attributed to Cerrillos
Twisted-wire sterling shank with eagle appliqués
Unsigned period piece
One-of-a-kind collector example

Bracelet Features:

• .925 sterling silver (unmarked)
• Three domed green turquoise cabochons
• Applied eagle motifs
• Circa 1950s 
• Heavy-gauge sterling shank
• Condition: Excellent — see  SCJ Vintage Condition Guide

Bracelet Specification:

• Wear scale: medium — noticeable without dominating
• Center turquoise: 3/4" in diameter (bezel to bezel)
• Face width: 1"
• Inside length: 5 1/4"
• Gap: 1 1/4"
• Total inside circumference: 6 1/2" (M per SCJ size guide)
• Weight: 37.3 grams

ABOUT THIS PIECE:

This Harvey Era Navajo bracelet showcases three exquisite green turquoise stones, with characteristics closely associated with Cerrillos deposits, traditionally prized for their rich green hues and natural variations. Smoothly domed and arranged in a classic trio, this cuff showcases a balanced presence with a defined center focus. The cabochons rest atop an equally compelling twisted-wire sterling silver shank, blending their elegance with the strength of the flat-wire design.

Gracefully flanking the side stones, the two small applied hand-chased eagle motifs serve as restrained decorative accents rather than as overt symbolism, an approach associated with the Harvey Era, in which harmony and measured proportion were favored, and ornamentation was intentionally simple. The symmetry of the elements, shank style, and absence of a signature are indicative of 1950s jewelry, created for wearability, longevity, and understated sophistication rather than authorship.

The result is a cuff that feels timeless and quietly expressive, reflecting the subtle confidence of mid-century Native American silverwork. A conversation piece for social gatherings, this cuff is also comfortable and compact enough for everyday wear. 

PERFECT FOR:

• Stand-alone styling or layering without overpowering other pieces
• Collectors of Harvey Era Native American jewelry
• Admirers of green turquoise stones
• Those drawn to symmetrical designs with a defined center focus
• Boho-Chic enthusiasts seeking vintage, artisan-made bracelets
• Anyone who values mid-century jewelry with historical significance
  

✨Collector’s Circle members receive a welcome offer on their first purchase.

At a Glance:

Native American five-stone turquoise cuff bracelet
Hallmark attributed to Navajo artisan Guy Hoskie
Stones visually consistent with Royston district material
Intricate stampwork extending across the cuff shoulders
Balanced medium statement cuff with strong collector appeal

Bracelet Features:

• .925 sterling silver
• Five turquoise cabochons with blue-green & deeper green tones
  
• Deep stampwork on a raised outer plate over a solid backplate
• Heavy-gauge sterling silver construction
• Stamped by the maker
• Condition: Excellent — see SCJ Vintage Condition Guide

Bracelet Specifications:

• Wear scale: medium statement cuff with pronounced presence
• Center turquoise: 1" x 1/2" (bezel to bezel)
• Face width: 7/8"
• Inside length: 5 1/2”
• Gap: 7/8”
• Total inside circumference: 6 3/8" (S per SCJ size guide)
• Weight: 63.5 grams
  

ABOUT THIS PIECE:

This signed Guy Hoskie cuff presents a five-stone turquoise composition with strong visual rhythm and clear material presence. The cabochons move through shades of blue, green, and deeper moss tones, each marked by its own matrix patterning. Rather than aiming for strict uniformity, the bracelet allows that natural variation to become part of the design, creating a Royston-associated palette with depth, contrast, and cohesion.

The silverwork is deliberate and structurally strong. Each stone is set in a smooth bezel, framed with twisted wire, and distributed across a raised outer plate, creating a subtle sense of dimension over the solid inner cuff. Deep stampwork continues through the shoulders and out to the terminals, extending the visual interest well beyond the central setting. The result is a controlled surface work that supports the stones and gives the bracelet a fully resolved profile from end to end, without excess.

The piece reads as confident rather than overstated. Its strength comes from proportion, surface, and material balance: substantial silver, well-chosen turquoise, and stampwork used with purpose. For collectors of signed Navajo jewelry, it offers the combination that matters most—strong stones, convincing structure, and a fully integrated design.

ARTISAN NOTE:

Guy Hoskie is a Navajo silversmith whose work is associated with deep stampwork, substantial silver construction, and strong set-stone compositions. Southwestern galleries consistently identify him as Sunshine Reeves’ brother-in-law, placing him within a family circle known for heavily worked silver and bold stamp patterns. Market-circulated biographies also suggest that he learned the craft from or alongside relatives, especially Sunshine Reeves and Andy Cadman.

Other biographical details repeated across dealer and gallery sources remain unverified. These include claims that he worked for the Navajo Tribe in Window Rock from 1975 to 2000 while making jewelry on the side, became a full-time artisan in the early 1990s, was born in 1952, was born in Fort Defiance, Arizona, later lived in Window Rock, and had family and military ties noted in dealer biographies. These points may offer useful directions for future research, but they should not be treated as independently confirmed.

PERFECT FOR:

• Collectors of signed Navajo silverwork with strong stampwork traditions
• Royston turquoise collections focused on natural color variation
• Curated bracelet groupings anchored by a central statement cuff
• Anyone who appreciates substantial, bench-fabricated Southwestern silverwork 

✨ Collectors Circle members receive a welcome offer on their first purchase. 

At a Glance:

Vintage Native American Navajo turquoise chip inlay cuff
Crushed turquoise set in hand-cut silver channels
Central wheel mosaic with flanking half panels
Hand-engraved accents framing the mosaics
Crescent-textured engraved border
Unsigned period example 

Bracelet Features:

• .925 sterling silver
• Crushed turquoise chip inlaid mosaics
• Hand-cut channel inlay construction
• Heavy-gauge convex shank
• Hand-engraved borders and terminals 
• Circa 1970s 
• Condition: Fine — see SCJ Vintage Condition Guide

Bracelet Specifications:

• Wear scale: bold-medium (broad coverage, low profile)
• Stone: multi-color crushed turquoise chips
• Face width: 1 1/2”
• Length: 5 1/2”
• Gap: 1 3/16”
• Total circumference: 6 1/16” (S)
• Weight: 89.5 grams
  

ABOUT THIS PIECE: 

This vintage 1970s Navajo cuff centers on a repeating constellation of turquoise mosaics, each formed from tiny fragments of crushed stone fitted into hand-cut silver channels. Known as chip inlay, the method became a defining style in Navajo silversmithing in the late twentieth century and is closely associated with the work of the Singer family, especially Tommy Singer.

The wide sterling cuff began as a heavy sheet of silver, and it was subsequently hand-engraved before the stones were set. Successive arched cuts leave narrow raised ribs between them, creating a crisp-textured field along the borders and at the terminals. A full central circle flanked by half-panels combines clusters of turquoise chips with engraved crescent arcs, creating movement across the bracelet rather than focusing attention on a single stone.

The engraved border continues around the shank, while the terminals carry concentric crescent medallions that frame the mosaics and unify the design. As the cuff turns on the wrist, the surface shifts between precise geometry and sharply cut texture, giving the bracelet presence without relying on size alone.

Decades of wear have left a deep, even patina that softens the silver and emphasizes the engraved detail, while the interior remains smooth and comfortable.

PERFECT FOR:

• Collectors drawn to late-century Navajo silverwork
• Those drawn to hand-engraved silverwork
• Anyone who appreciates artisan mosaic jewelry
• Everyday wear with weight and presence
• Wearers who favor pattern over single-stone focus

✨ Collector’s Circle members receive a welcome offer on their first purchase. 

Renowned Native American artisan Fred Guerro hand-selected a striking Pilot Mountain turquoise, featuring rich aqua blues veined with a warm tan-copper matrix, to create this bold statement bracelet. The finely perforated, hand-stamped shank reflects a masterful fusion of traditional Navajo silversmithing and contemporary design, making it an exceptional piece for any Native American jewelry collector or turquoise enthusiast. 

Bracelet Features:

• .925 sterling silver 
• High-grade Pilot Mountain turquoise
• Signed by Navajo artisan Fred Guerro
• Heavy-gauge
• "Very Fine" SCJ's Vintage Condition Guide 

Bracelet Dimensions:

• The Pilot Mountain turquoise measures approximately 1 3/4" by 1" from bezel to bezel
• The face of the cuff measures about 2”
• On the inside, the bracelet measures 5 7/8” from end to end, with a 1 3/8” gap
• The total circumference of this bracelet is 7 1/4”
• 139.2 grams!
  

The Bahe family is highly respected within the Native American jewelry community; however, they are not widely known for their inlay work, which makes this piece all the more remarkable. Crafted by Marie Bahe, this vibrant bracelet showcases a labor-intensive stone-on-stone inlay technique, featuring carefully selected colorful stones and shells. The intricate butterfly design is both playful and elegant, making this a standout piece for collectors who appreciate Navajo and Zuni artistry and the rare beauty of handmade, one-of-a-kind jewelry.

Bracelet Features:

• .925 sterling silver
• Colorful stones and shells beautifully inlaid
• Hallmarked by the silversmith
• Heavy-gauge
• "Very Fine" SCJ's Vintage Condition Guide

Bracelet Dimensions:

• The butterfly mosaic measures approximately 1 1 /2" by 2", not counting the inlaid panel on each side of the butterfly
• The face of the cuff measures about 1 5/8”
• On the inside, the bracelet measures 5 1/16” from end to end, with a 1 1 /4” gap
• The total circumference of this bracelet is 6 5/16”
• 52.3 grams
  

Bracelet Features:

• .925 sterling silver
• High-grade Morenci turquoise
• Heavy-gauge  
• "Very Fine" SCJ's Vintage Condition Guide

Bracelet Specification:

• Turquoise stone: 2 3/16" x 1 3/8" (bezel to bezel)
• Face width: 2 5/8”
• Total length: 5 1/4” (measured end to end, from the inside)
• Gap: 7/8”
• Total circumference: 6 1/8” (size small)
• Weight: 105 grams! 
  

ABOUT THIS PIECE:

This striking Native American cuff features a substantial 98-carat natural Morenci turquoise, prized for its vivid blue hue and the distinctive pyrite inclusions that subtly glimmer beneath the surface. Sourced from Arizona’s renowned Morenci Mine, this variety of turquoise is celebrated for its deep, saturated color and exceptional quality—particularly impressive in a stone of this scale.

The gemstone is set in a bold, handcrafted sterling silver mounting, framed by large leaf appliqués and anchored by a thick silver shank. The bracelet is unsigned, a common practice from the late 1800s through the trading-post era and into the 1970s, before artist attribution became more widespread.

While no formal provenance documentation accompanies the piece, the materials, construction, and stylistic elements are consistent with traditional Navajo silversmithing techniques. The weight of the silver, balanced proportions, and confident handwork reflect the skill and cultural lineage of a Native artisan, resulting in a powerful and highly collectible cuff.

✨Collector’s Circle members receive a welcome offer on their first purchase.

Renowned Filipino artisans Ronnie and Ramil Glodove bring a global perspective to the Bohemian jewelry style. Rooted in their own traditions and creative vision, their work often carries visual echoes of jewelry aesthetics admired worldwide. This cuff features a radiant arrangement of rich blue turquoise stones with reddish-brown matrices, set in a finely polished silver shank. Its bold cluster design naturally recalls the symmetry and vibrancy associated with Southwestern jewelry, while remaining a distinct expression of the Glodoves’ artistry. The result is a piece that feels both globally familiar and uniquely their own.

Bracelet Features:

• .925 sterling silver
• Cluster of seven high-grade turquoise stones nicely polished 
• Hallmarked by the silversmiths
  
• "Very Fine" SCJ's Vintage Condition Guide

Bracelet Dimensions:

• The largest turquoise cabochon measures approximately 1/2" by 1 3/16" from bezel to bezel
• The face of the cuff measures about 2 7/16” at the center
• On the inside, the bracelet measures 6 1/4” from end to end, with a 1 3/8” gap
• The total circumference of this bracelet is 7 5/8”
• 66 grams
  

This exquisite Native American bracelet showcases a rare dark green Royston turquoise stone, hand-selected for its exceptional quality and depth of color. Set at the center of the cutout shadowbox face—Elouise Kee’s signature style—the stone is securely mounted on a heavy-gauge four-tine sterling silver shank, richly adorned with a bold silver appliqué on each side. A masterful blend of traditional Navajo motifs and contemporary design, this piece is both timeless and striking in its artistry.

Bracelet Features:

• .925 sterling silver
• High-grade dark moss green Royston turquoise
• Hallmarked by the silversmith
• Heavy-gauge  
• "Very Fine" SCJ's Vintage Condition Guide

Bracelet Dimensions:

• The Royston turquoise measures approximately 1 13/16" by 1 1/8" from bezel to bezel
• The face of the cuff measures just over 2 1/2”
• On the inside, the bracelet measures 5 1/2” from end to end, with a 1 5/16” gap
• The total circumference of this bracelet is 6 13/16” (this is roughly equivalent to a medium-size cuff)
• 114.8 grams!